Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Friday, March 6, 2015

After "In Defense of 'Busy'" // Life's Too Short to Hurry

Sean wrote about being busy.

The comings and goings and doings he describes are familiar to me. I'm not there any more, though. I can't say I'm busy in that way anymore. I'm not organizing or producing, and this month even my online writing has diminished as I throw myself into pottery (couldn't resist the pun). And the calm feels really good. Maybe it's part of my recently developed introversion.

There's that Howard Turman quote: “Don’t ask what the world needs. Ask what makes you come alive, and go do it. Because what the world needs is people who have come alive.” I surely felt alive when I had a busier lifestyle, connecting with many people, holding and sharing space in various ways. But there was a point when it stopped making me feel alive and mostly made me feel tired. And for a time I was sort of frustrated with myself for stopping, and I mourned the passing of that past self, and I tried to recreate the desire to live that way. But the resistance was not necessary. I was pushing myself to interact with the world in ways that made me feel tired rather than alive.

There was no need for me to push myself to try to be busy-- there are so many ways to contribute to society, to social justice, and different ways to learn about being human, both by being around people and by being alone with ourselves.

The intention I set for this year is "Life's too short to hurry." A reminder to myself that life doesn't have to be frenetic to be exciting, and that there is value in slowness. Even though most of my days don't have much externally-imposed structure, I still create quite a bit of structure for myself.

On Wednesday, I wanted to climb, go to a yoga class, repair some camping gear, spend an hour or two at the ceramics studio, and go to the grocery store before work at the climbing gym at 4:30pm. I also wanted to feed myself and maybe do a little reading. While I was in the yoga class, I was asked to set an intention for the practice and for the day. In the course of the class, I realized that I was imposing a lot of unnecessary urgency into the day. If I could only spend an hour or two at the studio, it wasn't really worth it to go. And if I didn't make it to the grocery store before work, I'd be okay-- there was plenty of food in the house. Once I let myself let go of that urgency, I could feel my mood improving, and things feel lighter. I felt better about the day.

I respect the folks who spend a lot of time working, studying, organizing, going from here to there and everywhere. And I worry a bit, too, when they say they are busy. I avoid being "busy" now because of the way it makes me feel. It makes me feel like there is great time-scarcity in my life, and feelings of scarcity in whateverthing, be it affection, friendship, money, or time, leads to stress. Which leads to a wide array of other negative health and social implications.

Granted, things aren't always light. There are a lot of very dark and heavy things that we must cope with and change in this world. What I fear about "busyness" is that it sometimes feels like being pulled down into that darkness rather than like reaching in and pulling that darkness up to our light.

And it makes me all the more appreciative of those people in my life who are able to be busy and at the same time pull the darkness to light. (Sean is in that group.)

Wednesday, June 18, 2014

Visions. Are. Legendary. // Circus Returns to National Queer Arts Festival

On Friday, June 20, Topsy Turvy Queer Circus returns to the Brava Theater as part of the National Queer Arts Festival. Thanks to the overwhelming demand for last year's show, another performance has been added; there are two nights now instead of one.
I'm housemates with a performer and the amount of work that is going into this thing is no joke. Rehearsals, travel to rehearsal spaces (finding rehearsal spaces!), sweat, tears, exhaustion, endless stretching, training, choreographing, costume design-- these performers are working hard.

The acts last year ranged from flat out physically incredible to poignant to playful to jaw-droppingly hawt (and often, some combination thereof). Tidbits from last year's show:
 

Tickets are available on a sliding scale basis ($15-20) here or via the links below. 

And if you, like me, made a critical online-ticket-purchase error
last year, fear not-- no more drop down menus in this year's ticket buying process!
Topsy-Turvy Queer Circus: Visions. Are. Legendary.
India Davis and Indi McCasey

Brava Theater
2781 24th StreetSan Francisco, CA 94110

Friday, June 20th at 8pm: Buy TicketsSaturday Matinee, June 21 at 2pm: Buy TicketsSaturday Night, June 21 at 8pm: Buy Tickets

I just double checked my confirmation email. Yup, I bought a ticket for the right show. Phew. 

Tuesday, December 3, 2013

Considering the "Holiday Season" // Beginning

The increasingly inescapable connection between Thanksgiving and the beginning of the pathological consumption cycle known as “Christmas shopping” makes me surly.
- Robert Jensen, I'm The Guy Who People Think Hates Thanksgiving 
Last year I was glad to be hopping on a plane on Thanksgiving Day, primarily because I was looking forward to visiting Cambodia again, and secondarily because I was glad to be away from the holiday cheer/shopping sprees/festivities I've felt increasingly disconnected from. I love seeing family and friends, I love enjoying copious amounts of food and drink with them, and I confess that a winter is not complete without watching It's A Wonderful Life at least once, but I have always been uncomfortable with the "holiday season" in a number of ways, for a number of reasons.

From a very young age, I worried about whether my immigrant family did American things "the right way," making all holidays a source of anxiety. Whether it was buying cards and candy for friends on Valentine's Day, making gift packages for Christmas, or the way we gathered to eat turkey, potatoes, and stuffing on Thanksgiving, I was critical of the ways that my family did things differently than the images on television. There were elements of race, class, and religion in all of this. I felt my family caught between trying to maintain Khmer culture and traditions, while also trying to keep me from feeling left out as a kid born in America.
Thinking critically about Thanksgiving is not an attack on the family. I believe our families (biological and chosen) are stronger when we learn together and when we work together to create a world we want to live in.- Beja, The Last Thursday in November
Now that I am older and have a more critical view of these holidays because of their ties to capitalism, labor abuses, and glossing over history, how do I continue to engage with my loved ones? Though I may not want to support and reinforce certain holidays, I also want to take opportunities to spend time with people who otherwise have to spend much of their time working.

It's going to take a while to organize these thoughts in some coherent fashion. 

Friday, September 27, 2013

Web Series Weekend

I have a guilty secret. I'm not an avid web series watcher. In fact, in the last 4 years since we formed Pearl Girls Productions and made Season 1 of That's What She Said, I can't recall actually watching any web series, except for the occasional episode of Awkward Black Girl.

Now that we're in the throes of producing season 2 of TWSS,  and since it turns out that there are so many web series to choose from featuring stories of queer people of color, I decided it was high time to finally sat down and watched some. We had a web series watching party last Saturday. Funny how watching media can be such a fun social affair. I should probably watch some of the episodes over again because I missed some dialogue due to our commentary and laughter.

These web series all excite me because they feature a variety of people of color, a variety of gender expressions, and high production value.

LESlieVILLE Web Series

Ah, a web series that, like Orange Is The New Black, you can binge on because they've already released their entire first season. And yes, yes we did watch all of the episodes in one sitting. This Toronto-based web series has delicious tension, fun writing, and a love triangle (which might be more of a square). Keep an eye out for their future crowdfunding campaign for a second season!



This Is Kelsey

Really enjoying this NYC-based show about hilariously awkward, newly on-the-prowl Kelsey as her friends help her negotiate dating. It's currently on episode two and I look forward to seeing where this goes. I really like their smart production- the series takes place primarily in about four locations. From my experience, affordable (or free, as in the case of TWSS) locations are tricky to come by. Also, the very handsome actor who plays Tyrone was almost on the cast of TWSS season one.



Dyke Central

Oakland-based Dyke Central released one delicious pilot episode in 2012 and is gearing up to start production on three more episodes. It's so great to see a longer format (20 minute) independent queer web series with such a broad representation of people of color and gender expression.  Support their Indie Go Go campaign (ends October 4) and/or sign up to be an extra.



And now, I twiddle my thumbs, anxiously awaiting the release of future episodes.

Friday, March 30, 2012

Considering The Hunger Games & What Happens When People of Color Are Killed

On a spur-of-the-moment decision, I went to a midnight showing of The Hunger Games when it opened last week. I was wary of Jennifer Lawrence's casting as Katniss (and by wary, I mean I was pissed off) because I had read the series last summer and Katniss is clearly described as not-white, as many of the characters were.

When I saw photos of Jennifer Lawrence, I had a similar feeling about her to Mou Khan's: that she was too soft-looking for the role. And then I saw Winter's Bone, and her acting convinced me that she could be Katniss. Khan (and many others) were apparently unconvinced by her acting, but that raises the question of what our picture of a strong, fierce woman looks like. Many of the strong, fierce women that I know are not always--actually, rarely-- wiry, hawk-eyed, or thin. They look like my mother, my grandmother, my friends. They have soft cheeks and tough souls. After the movie, I texted my other friends that I was "satisfied."

There is so much to unpack about the racist reactions to The Hunger Games, the news of Trayvon Martin's and Shaima Alawadi’s killings, and the hate they expose. When I see someone tweet that they didn't feel as sad about Rue's death because she was black, I realized two things: